This book investigates the various reasons behind the elevation of the memoir, previously categorized as a marginalized form of life writing that denudes the private space of women, especially in Western Asian countries such as Iran. Through a comparative investigation of Azar Nafisi's Reading Lolita in Tehran and Marjane Satrapi's Persepolis (1) and (2), the book examines the way both narrative and graphic memoirs offer possibilities for Iranian women to reclaim new territory, transgress a post-traumatic revolution, and reconstruct a new model of womanhood that evades socio-political and religious restrictions. Exile is conceptualized as empowering rather than a continued status of loss and disillusionment, and the liminality of both women writers turns into a space of artistic production.
Presents a myriad of viewpoints, so that modern readers can begin to grasp the complexities of war and its impact. Such stories give voice to the individuals who fight and are fought against, who are injured, who suffer on the battlefield and at home, and who, inevitably, can no longer speak for themselves. Examines dominant and recurring subthemes in the literature of war; including survival, terrorism, leadership, and genocide.
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Iranian Women in the Memoir: Comparing Reading Lolita in Tehran and Persepolis by 
